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Fabric Friday

Wow, how to start this Fabric Friday post, except by saying that I am oozing with excitement and inspiration. I had decided earlier this week to feature the fabrics of Denyse Schmidt. She is a designer that has been creating beautiful quilting fabrics for a while now. I have used a number of fabrics from all of her collections from the beginning of klt:works. She just recently came out with a new collection and it seemed fitting to chat about her. However, before I get to all of that, I need to tell you about about a lovely creative coincidence that changed my slant a bit. 


Yesterday, I got my absolute favorite magazine in the mail called Uppercase. I have mentioned it before in an earlier post (Inspiring Prints: what makes me smile) because I truly love everything about it. The magazine comes in its own cardboard envelope and the anticipation of its arrival starts weeks prior to receiving it- it is that special. So, I frantically opened the enveloped and started flipping through the pages (even the ink smells great). My eyes immediately fell on an article written by Karyn Valino  called, “perfectly pattterned careers: textile design”.  This article focuses on the “small independent creatives” redefining the world of textile design. Denyse Schmidt was  the first interview, then Lara Cameron (from Ink & Spindle), and Michelle Engel Bencsko (Cloud 9 Fabrics) was the last. My socks were knocked off. It was a gorgeous layout and I admire all of the designers and use their fabrics because of what they stand for. Timing is everything (which is Sayer’s phrase of the week) and I hit the inspiration jackpot yesterday.


So, back to the fabric. When I choose fabrics for klt:works, I am very selective. Initially I gravitate towards a textile because of aesthetics, but I research a lot about a designer and their process before I become a loyal fan. Denyse Schmidt caught my interest because of her lovely quilting but it was that she was bringing something fresh and new to the fabric scene that I really appreciated. I find that my style is very modern, but I love nostalgia. I think that is why I respond so strongly to her designs. I also enjoyed reading about her background and that she came from a family of makers. Chris went to Rhode Island School of Design (and went back and taught there a bit after grad school). Both of his parents also went to RISD. So he comes from a family of makers too.  I actually found Denyse’s work through an RISD alumni page. Needless to say, I have been loyal to her designs ever since. I used fabrics from her Flea Market Fancy collection, for some of my first Flights of Fancy Mobiles in 2006. When that was all gone and sold out everywhere, I moved on to her Katie JumpRope fabrics. Now I am excited to play around with her new Hope Valley collection. Here is a little peek into my Denyse Schmidt fabric stash (what is left anyway). Pictured: Hope Valley, Katie Jump Rope, Flea Market Fancy (left to right)


I wrote a bit about Ink & Spindle in my first Fabric Friday post because I love that they screen print their fabrics themselves. They are very aware of what being eco-friendly means and they use environmentally conscious inks, fabrics, and  practices in their Australian studio. So, I was not only impressed by their designs, but their philosophy as well.  I became familiar with Cloud9 Fabrics because they use eco-responsible inks and dyes too. Being that I make things for children, I am particularly looking for organic and eco conscious fabric options. You can read about these designers in the 5th Uppercase Magazine. Pictured: My stash: Cloud9 and Ink & Spindle (left to right)
Oh, inspiration is so sweet. After I finish reading the rest of my Uppercase Magazine, I am hoping to dive into my fabric stash. Happy Fabric Friday!

Fabric Friday

Wow, how to start this Fabric Friday post, except by saying that I am oozing with excitement and inspiration. I had decided earlier this week to feature the fabrics of Denyse Schmidt. She is a designer that has been creating beautiful quilting fabrics for a while now. I have used a number of fabrics from all of her collections from the beginning of klt:works. She just recently came out with a new collection and it seemed fitting to chat about her. However, before I get to all of that, I need to tell you about about a lovely creative coincidence that changed my slant a bit. 


Yesterday, I got my absolute favorite magazine in the mail called Uppercase. I have mentioned it before in an earlier post (Inspiring Prints: what makes me smile) because I truly love everything about it. The magazine comes in its own cardboard envelope and the anticipation of its arrival starts weeks prior to receiving it- it is that special. So, I frantically opened the enveloped and started flipping through the pages (even the ink smells great). My eyes immediately fell on an article written by Karyn Valino  called, “perfectly pattterned careers: textile design”.  This article focuses on the “small independent creatives” redefining the world of textile design. Denyse Schmidt was  the first interview, then Lara Cameron (from Ink & Spindle), and Michelle Engel Bencsko (Cloud 9 Fabrics) was the last. My socks were knocked off. It was a gorgeous layout and I admire all of the designers and use their fabrics because of what they stand for. Timing is everything (which is Sayer’s phrase of the week) and I hit the inspiration jackpot yesterday.


So, back to the fabric. When I choose fabrics for klt:works, I am very selective. Initially I gravitate towards a textile because of aesthetics, but I research a lot about a designer and their process before I become a loyal fan. Denyse Schmidt caught my interest because of her lovely quilting but it was that she was bringing something fresh and new to the fabric scene that I really appreciated. I find that my style is very modern, but I love nostalgia. I think that is why I respond so strongly to her designs. I also enjoyed reading about her background and that she came from a family of makers. Chris went to Rhode Island School of Design (and went back and taught there a bit after grad school). Both of his parents also went to RISD. So he comes from a family of makers too.  I actually found Denyse’s work through an RISD alumni page. Needless to say, I have been loyal to her designs ever since. I used fabrics from her Flea Market Fancy collection, for some of my first Flights of Fancy Mobiles in 2006. When that was all gone and sold out everywhere, I moved on to her Katie JumpRope fabrics. Now I am excited to play around with her new Hope Valley collection. Here is a little peek into my Denyse Schmidt fabric stash (what is left anyway). Pictured: Hope Valley, Katie Jump Rope, Flea Market Fancy (left to right)


I wrote a bit about Ink & Spindle in my first Fabric Friday post because I love that they screen print their fabrics themselves. They are very aware of what being eco-friendly means and they use environmentally conscious inks, fabrics, and  practices in their Australian studio. So, I was not only impressed by their designs, but their philosophy as well.  I became familiar with Cloud9 Fabrics because they use eco-responsible inks and dyes too. Being that I make things for children, I am particularly looking for organic and eco conscious fabric options. You can read about these designers in the 5th Uppercase Magazine. Pictured: My stash: Cloud9 and Ink & Spindle (left to right)
Oh, inspiration is so sweet. After I finish reading the rest of my Uppercase Magazine, I am hoping to dive into my fabric stash. Happy Fabric Friday!

Fabric Friday

Wow, how to start this Fabric Friday post, except by saying that I am oozing with excitement and inspiration. I had decided earlier this week to feature the fabrics of Denyse Schmidt. She is a designer that has been creating beautiful quilting fabrics for a while now. I have used a number of fabrics from all of her collections from the beginning of klt:works. She just recently came out with a new collection and it seemed fitting to chat about her. However, before I get to all of that, I need to tell you about about a lovely creative coincidence that changed my slant a bit. 


Yesterday, I got my absolute favorite magazine in the mail called Uppercase. I have mentioned it before in an earlier post (Inspiring Prints: what makes me smile) because I truly love everything about it. The magazine comes in its own cardboard envelope and the anticipation of its arrival starts weeks prior to receiving it- it is that special. So, I frantically opened the enveloped and started flipping through the pages (even the ink smells great). My eyes immediately fell on an article written by Karyn Valino  called, “perfectly pattterned careers: textile design”.  This article focuses on the “small independent creatives” redefining the world of textile design. Denyse Schmidt was  the first interview, then Lara Cameron (from Ink & Spindle), and Michelle Engel Bencsko (Cloud 9 Fabrics) was the last. My socks were knocked off. It was a gorgeous layout and I admire all of the designers and use their fabrics because of what they stand for. Timing is everything (which is Sayer’s phrase of the week) and I hit the inspiration jackpot yesterday.


So, back to the fabric. When I choose fabrics for klt:works, I am very selective. Initially I gravitate towards a textile because of aesthetics, but I research a lot about a designer and their process before I become a loyal fan. Denyse Schmidt caught my interest because of her lovely quilting but it was that she was bringing something fresh and new to the fabric scene that I really appreciated. I find that my style is very modern, but I love nostalgia. I think that is why I respond so strongly to her designs. I also enjoyed reading about her background and that she came from a family of makers. Chris went to Rhode Island School of Design (and went back and taught there a bit after grad school). Both of his parents also went to RISD. So he comes from a family of makers too.  I actually found Denyse’s work through an RISD alumni page. Needless to say, I have been loyal to her designs ever since. I used fabrics from her Flea Market Fancy collection, for some of my first Flights of Fancy Mobiles in 2006. When that was all gone and sold out everywhere, I moved on to her Katie JumpRope fabrics. Now I am excited to play around with her new Hope Valley collection. Here is a little peek into my Denyse Schmidt fabric stash (what is left anyway). Pictured: Hope Valley, Katie Jump Rope, Flea Market Fancy (left to right)


I wrote a bit about Ink & Spindle in my first Fabric Friday post because I love that they screen print their fabrics themselves. They are very aware of what being eco-friendly means and they use environmentally conscious inks, fabrics, and  practices in their Australian studio. So, I was not only impressed by their designs, but their philosophy as well.  I became familiar with Cloud9 Fabrics because they use eco-responsible inks and dyes too. Being that I make things for children, I am particularly looking for organic and eco conscious fabric options. You can read about these designers in the 5th Uppercase Magazine. Pictured: My stash: Cloud9 and Ink & Spindle (left to right)
Oh, inspiration is so sweet. After I finish reading the rest of my Uppercase Magazine, I am hoping to dive into my fabric stash. Happy Fabric Friday!

{Inspiring Prints} What makes me smile…

Someone once asked me in an interview, if I ever bought other artist’s work. I thought it was an odd question. But I suppose that in context, the interviewer was responding to photos of my son’s nursery and so it seemed like a fair question. I created a line of prints to use in Sayer’s  nursery, not because I didn’t like other people’s art, but as a project and something special for him.  As I have mentioned, both my husband and I are artists. We literally have crates of our own art along with friends work.  We also live on a tight budget so using our own art in our house seemed like a no brainer- and an opportunity to have a rotating gallery. However, with places like Etsy and many cool online stores. Buying art (at a reasonable price) is so accessible, it is hard to come up with an excuse not to. I thought I would share just a few of my favorite purchases. 


Studio Violet has become a favorite of mine. I purchased my first print after learning about Camilla Engman via Uppercase Magazine and after reading her book. Studio Violet is the great collaboration between Camilla and Elisabeth Dunker. I am hooked now and am continuously inspired by these ladies. (Mr. Mustache is soon to make his way into our mailbox.)

My introduction to Blanca Gomez was when her illustration graced the first cover of Uppercase Magazine. Do you see a trend? (I guess my next purchase will be Matte Stephens– if I can ever decide which one). I received my first print as a gift along with a calendar from Monsieur Minouchet. The Jazzman print just arrived in our mailbox today. Sayer helped me pick it out. We seem to be drawn to the same imagery lately. Can’t wait see the two prints side by side on our wall.

Having other artist’s work around makes me happy. I buy things that I have a strong reaction to, not things that I think will match anything. Sometimes I don’t even know where I am going to put it and it hangs out unframed- where I can see it everyday until I figure out the perfect spot. I have the Cosas Minimas (Blanca Gomez) calendar hanging in my studio. I love the clean colors and design. The Studio Violet print is on my dresser, still unframed so my stack of books keeps it in place. 


{Inspiring Prints} What makes me smile…

Someone once asked me in an interview, if I ever bought other artist’s work. I thought it was an odd question. But I suppose that in context, the interviewer was responding to photos of my son’s nursery and so it seemed like a fair question. I created a line of prints to use in Sayer’s  nursery, not because I didn’t like other people’s art, but as a project and something special for him.  As I have mentioned, both my husband and I are artists. We literally have crates of our own art along with friends work.  We also live on a tight budget so using our own art in our house seemed like a no brainer- and an opportunity to have a rotating gallery. However, with places like Etsy and many cool online stores. Buying art (at a reasonable price) is so accessible, it is hard to come up with an excuse not to. I thought I would share just a few of my favorite purchases. 


Studio Violet has become a favorite of mine. I purchased my first print after learning about Camilla Engman via Uppercase Magazine and after reading her book. Studio Violet is the great collaboration between Camilla and Elisabeth Dunker. I am hooked now and am continuously inspired by these ladies. (Mr. Mustache is soon to make his way into our mailbox.)

My introduction to Blanca Gomez was when her illustration graced the first cover of Uppercase Magazine. Do you see a trend? (I guess my next purchase will be Matte Stephens– if I can ever decide which one). I received my first print as a gift along with a calendar from Monsieur Minouchet. The Jazzman print just arrived in our mailbox today. Sayer helped me pick it out. We seem to be drawn to the same imagery lately. Can’t wait see the two prints side by side on our wall.

Having other artist’s work around makes me happy. I buy things that I have a strong reaction to, not things that I think will match anything. Sometimes I don’t even know where I am going to put it and it hangs out unframed- where I can see it everyday until I figure out the perfect spot. I have the Cosas Minimas (Blanca Gomez) calendar hanging in my studio. I love the clean colors and design. The Studio Violet print is on my dresser, still unframed so my stack of books keeps it in place. 


{Inspiring Prints} What makes me smile…

Someone once asked me in an interview, if I ever bought other artist’s work. I thought it was an odd question. But I suppose that in context, the interviewer was responding to photos of my son’s nursery and so it seemed like a fair question. I created a line of prints to use in Sayer’s  nursery, not because I didn’t like other people’s art, but as a project and something special for him.  As I have mentioned, both my husband and I are artists. We literally have crates of our own art along with friends work.  We also live on a tight budget so using our own art in our house seemed like a no brainer- and an opportunity to have a rotating gallery. However, with places like Etsy and many cool online stores. Buying art (at a reasonable price) is so accessible, it is hard to come up with an excuse not to. I thought I would share just a few of my favorite purchases. 


Studio Violet has become a favorite of mine. I purchased my first print after learning about Camilla Engman via Uppercase Magazine and after reading her book. Studio Violet is the great collaboration between Camilla and Elisabeth Dunker. I am hooked now and am continuously inspired by these ladies. (Mr. Mustache is soon to make his way into our mailbox.)

My introduction to Blanca Gomez was when her illustration graced the first cover of Uppercase Magazine. Do you see a trend? (I guess my next purchase will be Matte Stephens– if I can ever decide which one). I received my first print as a gift along with a calendar from Monsieur Minouchet. The Jazzman print just arrived in our mailbox today. Sayer helped me pick it out. We seem to be drawn to the same imagery lately. Can’t wait see the two prints side by side on our wall.

Having other artist’s work around makes me happy. I buy things that I have a strong reaction to, not things that I think will match anything. Sometimes I don’t even know where I am going to put it and it hangs out unframed- where I can see it everyday until I figure out the perfect spot. I have the Cosas Minimas (Blanca Gomez) calendar hanging in my studio. I love the clean colors and design. The Studio Violet print is on my dresser, still unframed so my stack of books keeps it in place.